Enclave, 2020

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Passover (Home Ritual), 2018

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Down the Shore, 2017

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Balancing Lemons, 2018

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Perfect Vision, 2021

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother daughter,

Scale, 2016

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Trust Fall, 2021

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Grandma's Bathroom, 2016

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Sitting Shiva, 2022

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Absent Daughter, 2019

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Lamb Bone (Sacrifice), 2021

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Moon Phases, 2019

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Advice You Don't Want, 2021

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In the Backyard, 2019

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Thanksgiving, 2016

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Getting Yourself Together, 2018

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Misplaced Couch, 2015

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Angry, 2015

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For Luck, 2019

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Bedroom Solace, 2017 

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

In Her Childhood Home While Her Mother Lay Dying, 2017

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In Her Childhood Home After Her Mother's Tombstone Unveiling, 2018

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The Three of Us (On the Last Day in Mom’s Childhood Home), 2022

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Puncturing the Painting of a Home, 2022

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The Glare is in Different Eyes Now, 2021

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By engaging with imagery for nearly a decade together, my mother and I have been building Indoor Voices around intergenerational womanhood, matrilineal responsibility, and mundane intimacy. Through this work, we explore gesture and posing in an environment that straddles imaginary and documentary. Scenes are performed in our frequented interior spaces as we generate reactions to our lives outside of the frame. These stagings allow us to explore what we conceal from each other and the camera, how our bodies shape our language, and how our domestic environment can become a backdrop. Within every image, and in the relationships between images throughout the series, there are structures and collapses, strengths and ruins, truth and fiction. With this constant assembling and revising, our memory builds in front of us as we photograph it.